Anatomy for Sculptors: Understanding the Human Figure by Uldis Zarins, Sandis Kondrats

By Uldis Zarins, Sandis Kondrats

226 web page such a lot easy-to-use human anatomy advisor for artists, explaining the human physique in an easy demeanour. The publication comprises keys to understanding development in an instantaneous, easy-to-follow, and hugely visible demeanour. paintings scholars, 3D sculptors and illustrators alike will locate this guide a realistic beginning upon which to construct their wisdom of anatomy - an important history for someone wishing to attract or sculpt simply and with self assurance! during this publication you can find the main the $64000 muscle mass, capabilities and activities of the human physique. Over 500 drawings illustrate the diversity from easy anatomy reviews to extra advanced tutorials. greater than 250 photographs were drawn over, revealing the muscle mass.

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45 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC WHERE DOES IT GO? WHERE DOES THE SHOULDER MUSCLE (DELTOID) DISAPPEAR TO WHEN THE ARM IS LIFTED UP? IT JUST TURNS TOWARD THE BACK AND YOU WILL SEE IT IF YOU LOOK FROM THE OTHER SIDE. THE CLAVICLE IS ONLY COVERED BY SKIN. IT IS ALWAYS VISIBLE EXCEPT WHEN ARMS ARE LIFTED. THEN, THE CLAVICLE IS HIDDEN BEHIND THE GREAT CHEST MUSCLE (PECTORALIS MAJOR). FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 46 TRAPEZIUS MUSCLE ORIGIN: MEDIAL SUPERIOR NUCHAL LINE & EXTERNAL PROTUBERANCE OF THE SKULL INSERTION: LATERAL CLAVICLE, ACROMION AND SPINE OF SCAPULA ACTIONS: UPPER FIBERS: ELEVATE AND UPWARDLY ROTATE SCAPULA; EXTEND NECK MIDDLE FIBERS: ADDUCT (RETRACT) SCAPULA LOWER FIBERS: DEPRESS AND HELP UPPER FIBERS UPWARDLY ROTATE SCAPULA 47 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC TRAPEZIUS MUSCLE FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 48 ARE THESE RIBS?

1 SUBCUTANEOUS FAT PAD 2 LOBULES 3 AREOLA 4 NIPPLE 5 PECTORAL FAT PAD 6 SKIN 7 RIBS 8 PECTORALIS MAJOR 9 PECTORALIS MINOR 7 1 2 8 3 9 4 5 6 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 38 FEMALE BREAST ANGLES VARY DEPENDING ON SHAPE AND SIZE 39 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC BREAST VOLUME AND POSITIONING ALTHOUGH THE SHAPE CHANGES, VOLUME REMAINS CONSTANT.

S” SHAPE MALE’S EO OVERLAPS THE ILIAC CREST. FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC 54 MALE AND FEMALE HIPS BONES MUSCLES GREATER TROCHANTER BONES MUSCLES BLOCK-OUT ILIAC CREST REAL PUBIC SYMPHYSIS BLOCK-OUT REAL SUBCUTANEOUS FAT PADS UNDER THE SKIN GIVE FEMALE HIPS THEIR CURVY SHAPE. 55 FOR PERSONAL USE ONLY OF GOMESH KARNCHANAPAYAP, 10/56 TOWNPLUS RAMA 9 KRUNGTHEP KREETHA, BANGKOK 10240 ALL RIGHTS RESERVED BY EXONICUS LLC ALL ABOUT “BACKSIDES” THE “RHOMBUS OF MICHAELIS” IS A FAT PAD THAT IS SOMETIMES VISIBLE ON THE LOWER BACK OF FEMALES.

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